May 31, 2002
That last entry was, I think, my first written with impaired faculties and no memory the next day. (I was sick, and it was 3 or 4 a.m. Why I felt compelled right then to write something and upload it, I don't know.) As a result, I did not give much thought to the Ottoman Empire war veterans on Memorial Day. Sorry. I am thinking about them now. Are there any left? Are they allowed to get together with veterans of wars fought by other defunct countries? This world can be lonely sometimes.
Today is my last day as the Ombudsman. It has been a blistering week and I have not enjoyed it. Everybody's a goddam insult comic fresh off a week at the Catskills, man, and I'm handcuffed to say a word in response. My self-discipline is good, but I wasn't planning to waste it on this.
Here is about half of my recent reading list. I'll do the other half later.
Ultimate Spider-Man, Vols. 1 and 2
Brian Michael Bendis, Mark Bagley
Ace re-telling of Spider-Man's origin and beginnings, rebooting events to begin in more or less present times. (As a rule, even the hippest of comic book writers are about two years behind the curve when they work pop culture into their stories, and attempts to use hip youth lingo tend to make the baby Jesus cry.) Great as the Spider-Man movie was, this has an even tighter and more effective plotline for introducing all the major players and bringing them all together. Mark Bagley is a good artist and looks like my uncle Joe, so I have nothing but positive feelings for that guy. If you liked the movie and want more Spidey, these are what to get. (Vol. 1 runs parallel to the movie, more or less. Vol. 2 is uncharted territory. It features, in an encounter between Spider-Man and the Kingpin, one of the single greatest jokes in the history of the medium.)
Revenge of the Green Goblin
Roger Stern, Ron Frenz
Fairly useless story in which the Green Goblin, having escaped death through the aid of some hooded acolytes, strikes at Spider-Man where he is most vulnerable, through his toothpaste. Not bad or anything, but unremarkable and vaguely irritating. (Uses the original Spider-Man continuity, wherein all of the issues published since his first appearance in the 60s are part of his history - essentially, this is the older, experienced Spider-Man.)
Amazing Spider-Man: Coming Home
J. Michael Straczynski, John Romita Jr.
Pretty good story in which an unbeatable vampire dickhead hunts Spider-Man, who is depressed because his wife recently left him. Am I the only person who remembers Kraven? The unbeatable vampire dickhead reminded me of Kraven. Anyway, Straczynski was the creator of Babylon 5, which I have never seen, and writes a good fight scene. John Romita Jr. is a great guy, and does some lovely things with page layouts. Peter spends a fair amount of time reflecting on his youth (when he's not getting beaten up by the vampire dickhead), and it's not heavily wrapped up in past issues (other than the basic fact that Peter was dumped), so it serves as a nice ten-years-on from the movie.
Superman: No Limits!
Various
Fairly good collection, with a few really good stories and a couple of bland ones, though it's hampered by moronic sequencing of the individual issues - the most interesting subplot gets put on hold for 48 pages at a time because it was running in Action Comics but not Superman or The Adventures of Superman, issues from all of which are included here. And there's a bizarre Superman Does Beowulf in Virtual Reality With Wonder Woman For Eighty Years story that throws everything off. For the most part, though, it's a solid choice if you just want to read some Superman, because it isn't overly steeped in plot details from older issues. (Although Superman For All Seasons, occasionally available in proper bookstores, is the shit as far as Superman goes.)
Green Arrow: Quiver
Kevin Smith, Phil Hester
Kevin Smith's comics writing is better than his film writing. Not a single one of the criticisms usually leveled against his films can be legitimately applied to his comics, and every one of the films' strengths remains present in them. He's not terribly prolific, but for a few years, he has been going from character to character, spending 8-10 issues on him, and effortlessly making the character cool again. Which is quite nice of him to do. His work on Green Arrow rates a notch below Daredevil, his other major project, because Daredevil is from Marvel Comics, and Green Arrow is from DC, and while I am a DC loyalist at heart, DC has spent much of the last decade fucking up most of their characters with convoluted plotlines and cynical attempts to recreate the surge of publicity they got for (temporarily) killing Robin and Superman by killing, in 'shocking' fashion, almost all of other ex-Super Friends. (A new low was reached when they killed Aquaman last year. Surprisingly enough, CNN was not on the scene.) Smith, therefore, had to undo several years worth of shitty stories to make Green Arrow useable again. (The difference is that the stories preceding his on Daredevil were just flat - he could focus on telling his own story right from the start.) He pulled it off, though, and managed the impressive task of making the untangling of bad stories into a good one, so he deserves all respect. And, like the brief appearance of Spider-Man in Daredevil, Smith writes a short Batman and Superman pairing that, in a word, rules.
N.B. Some readers may have noticed that I am omitting the names of the inkers on the various comics I have been mentioning. This is because I am hoping to lure an angry letter out of an inker.
Banner
Brian Azzarello, Richard Corben
Competently written but basically unremarkable story that doesn't do much other than to announce This Is How We're Doing The Hulk Now. It's not his origin, but not much seems to have happened since then, so it doesn't require much prior knowledge other than who Doc Samson is. (He's this guy.) The faintly Robert Crumb-esque art is an odd choice and doesn't catch the raw power of the Hulk very well. I've always been fond of Dale Keown's Hulk for that.
I'm glad that's been settled. Y'all was probably freaking out. Why y'all be bugging? One of the great mysteries of the world.
Today is my last day as the Ombudsman. It has been a blistering week and I have not enjoyed it. Everybody's a goddam insult comic fresh off a week at the Catskills, man, and I'm handcuffed to say a word in response. My self-discipline is good, but I wasn't planning to waste it on this.
Here is about half of my recent reading list. I'll do the other half later.
Ultimate Spider-Man, Vols. 1 and 2
Brian Michael Bendis, Mark Bagley
Ace re-telling of Spider-Man's origin and beginnings, rebooting events to begin in more or less present times. (As a rule, even the hippest of comic book writers are about two years behind the curve when they work pop culture into their stories, and attempts to use hip youth lingo tend to make the baby Jesus cry.) Great as the Spider-Man movie was, this has an even tighter and more effective plotline for introducing all the major players and bringing them all together. Mark Bagley is a good artist and looks like my uncle Joe, so I have nothing but positive feelings for that guy. If you liked the movie and want more Spidey, these are what to get. (Vol. 1 runs parallel to the movie, more or less. Vol. 2 is uncharted territory. It features, in an encounter between Spider-Man and the Kingpin, one of the single greatest jokes in the history of the medium.)
Revenge of the Green Goblin
Roger Stern, Ron Frenz
Fairly useless story in which the Green Goblin, having escaped death through the aid of some hooded acolytes, strikes at Spider-Man where he is most vulnerable, through his toothpaste. Not bad or anything, but unremarkable and vaguely irritating. (Uses the original Spider-Man continuity, wherein all of the issues published since his first appearance in the 60s are part of his history - essentially, this is the older, experienced Spider-Man.)
Amazing Spider-Man: Coming Home
J. Michael Straczynski, John Romita Jr.
Pretty good story in which an unbeatable vampire dickhead hunts Spider-Man, who is depressed because his wife recently left him. Am I the only person who remembers Kraven? The unbeatable vampire dickhead reminded me of Kraven. Anyway, Straczynski was the creator of Babylon 5, which I have never seen, and writes a good fight scene. John Romita Jr. is a great guy, and does some lovely things with page layouts. Peter spends a fair amount of time reflecting on his youth (when he's not getting beaten up by the vampire dickhead), and it's not heavily wrapped up in past issues (other than the basic fact that Peter was dumped), so it serves as a nice ten-years-on from the movie.
Superman: No Limits!
Various
Fairly good collection, with a few really good stories and a couple of bland ones, though it's hampered by moronic sequencing of the individual issues - the most interesting subplot gets put on hold for 48 pages at a time because it was running in Action Comics but not Superman or The Adventures of Superman, issues from all of which are included here. And there's a bizarre Superman Does Beowulf in Virtual Reality With Wonder Woman For Eighty Years story that throws everything off. For the most part, though, it's a solid choice if you just want to read some Superman, because it isn't overly steeped in plot details from older issues. (Although Superman For All Seasons, occasionally available in proper bookstores, is the shit as far as Superman goes.)
Green Arrow: Quiver
Kevin Smith, Phil Hester
Kevin Smith's comics writing is better than his film writing. Not a single one of the criticisms usually leveled against his films can be legitimately applied to his comics, and every one of the films' strengths remains present in them. He's not terribly prolific, but for a few years, he has been going from character to character, spending 8-10 issues on him, and effortlessly making the character cool again. Which is quite nice of him to do. His work on Green Arrow rates a notch below Daredevil, his other major project, because Daredevil is from Marvel Comics, and Green Arrow is from DC, and while I am a DC loyalist at heart, DC has spent much of the last decade fucking up most of their characters with convoluted plotlines and cynical attempts to recreate the surge of publicity they got for (temporarily) killing Robin and Superman by killing, in 'shocking' fashion, almost all of other ex-Super Friends. (A new low was reached when they killed Aquaman last year. Surprisingly enough, CNN was not on the scene.) Smith, therefore, had to undo several years worth of shitty stories to make Green Arrow useable again. (The difference is that the stories preceding his on Daredevil were just flat - he could focus on telling his own story right from the start.) He pulled it off, though, and managed the impressive task of making the untangling of bad stories into a good one, so he deserves all respect. And, like the brief appearance of Spider-Man in Daredevil, Smith writes a short Batman and Superman pairing that, in a word, rules.
N.B. Some readers may have noticed that I am omitting the names of the inkers on the various comics I have been mentioning. This is because I am hoping to lure an angry letter out of an inker.
Banner
Brian Azzarello, Richard Corben
Competently written but basically unremarkable story that doesn't do much other than to announce This Is How We're Doing The Hulk Now. It's not his origin, but not much seems to have happened since then, so it doesn't require much prior knowledge other than who Doc Samson is. (He's this guy.) The faintly Robert Crumb-esque art is an odd choice and doesn't catch the raw power of the Hulk very well. I've always been fond of Dale Keown's Hulk for that.
I'm glad that's been settled. Y'all was probably freaking out. Why y'all be bugging? One of the great mysteries of the world.